Definition of Stry	
	    			    		
		    		Sto"ry (?), n.; pl.
Stories (#). [OF. estoré,
estorée, built, erected, p. p. of estorer to
build, restore, to store. See Store, v. t.]
A set of rooms on the same floor or level; a floor, or the space
between two floors. Also, a horizontal division of a building's
exterior considered architecturally, which need not correspond exactly
with the stories within. [Written also storey.] 
&fist; A story comprehends the distance from one floor to
another; as, a story of nine or ten feet elevation. The spaces
between floors are numbered in order, from below upward; as, the
lower, second, or third story; a house of one story, of
two stories, of five stories. 
Story post (Arch.), a vertical post
used to support a floor or superincumbent wall.
Sto"ry, n. [OE. storie, OF.
estoire, F. histoire, fr. L. historia. See
History.] 1. A narration or recital of
that which has occurred; a description of past events; a history; a
statement; a record. 
One malcontent who did indeed get a name in
story.  Barrow.
Venice, with its unique city and its Impressive
story.  Ed. Rev.
The four great monarchies make the subject of ancient
story.  Sir W. Temple.
2. The relation of an incident or minor event;
a short narrative; a tale; especially, a fictitious narrative less
elaborate than a novel; a short romance.  Addison. 
3. A euphemism or child's word for "a lie;" a
fib; as, to tell a story. [Colloq.] 
Sto"ry, v. t. [imp. & p.
p. Storied (?); p. pr. & vb. n.
Storying.] To tell in historical relation; to make the
subject of a story; to narrate or describe in story. 
How worthy he is I will leave to appear hereafter,
rather than story him in his own hearing. 
Shak.
It is storied of the brazen colossus in Rhodes,
that it was seventy cubits high.  Bp. Wilkins.
Sto"ry (?), n.; pl.
Stories (#). [OF. estoré,
estorée, built, erected, p. p. of estorer to
build, restore, to store. See Store, v. t.]
A set of rooms on the same floor or level; a floor, or the space
between two floors. Also, a horizontal division of a building's
exterior considered architecturally, which need not correspond exactly
with the stories within. [Written also storey.] 
&fist; A story comprehends the distance from one floor to
another; as, a story of nine or ten feet elevation. The spaces
between floors are numbered in order, from below upward; as, the
lower, second, or third story; a house of one story, of
two stories, of five stories. 
Story post (Arch.), a vertical post
used to support a floor or superincumbent wall.
Sto"ry, n. [OE. storie, OF.
estoire, F. histoire, fr. L. historia. See
History.] 1. A narration or recital of
that which has occurred; a description of past events; a history; a
statement; a record. 
One malcontent who did indeed get a name in
story.  Barrow.
Venice, with its unique city and its Impressive
story.  Ed. Rev.
The four great monarchies make the subject of ancient
story.  Sir W. Temple.
2. The relation of an incident or minor event;
a short narrative; a tale; especially, a fictitious narrative less
elaborate than a novel; a short romance.  Addison. 
3. A euphemism or child's word for "a lie;" a
fib; as, to tell a story. [Colloq.] 
Sto"ry, v. t. [imp. & p.
p. Storied (?); p. pr. & vb. n.
Storying.] To tell in historical relation; to make the
subject of a story; to narrate or describe in story. 
How worthy he is I will leave to appear hereafter,
rather than story him in his own hearing. 
Shak.
It is storied of the brazen colossus in Rhodes,
that it was seventy cubits high.  Bp. Wilkins.
  
		    		 - Webster's Unabridged Dictionary (1913) 
		    		 
		    			    		
		    		STORY, n.  A narrative, commonly untrue.  The truth of the stories 
here following has, however, not been successfully impeached. 
 
  One evening Mr. Rudolph Block, of New York, found himself seated 
at dinner alongside Mr. Percival Pollard, the distinguished critic. 
  "Mr. Pollard," said he, "my book, The Biography of a Dead Cow, 
is published anonymously, but you can hardly be ignorant of its 
authorship.  Yet in reviewing it you speak of it as the work of the 
Idiot of the Century.  Do you think that fair criticism?" 
  "I am very sorry, sir," replied the critic, amiably, "but it did 
not occur to me that you really might not wish the public to know who 
wrote it." 
 
  Mr. W.C. Morrow, who used to live in San Jose, California, was 
addicted to writing ghost stories which made the reader feel as if a 
stream of lizards, fresh from the ice, were streaking it up his back 
and hiding in his hair.  San Jose was at that time believed to be 
haunted by the visible spirit of a noted bandit named Vasquez, who had 
been hanged there.  The town was not very well lighted, and it is 
putting it mildly to say that San Jose was reluctant to be out o' 
nights.  One particularly dark night two gentlemen were abroad in the 
loneliest spot within the city limits, talking loudly to keep up their 
courage, when they came upon Mr. J.J. Owen, a well-known journalist. 
  "Why, Owen," said one, "what brings you here on such a night as 
this?  You told me that this is one of Vasquez' favorite haunts!  And 
you are a believer.  Aren't you afraid to be out?" 
  "My dear fellow," the journalist replied with a drear autumnal 
cadence in his speech, like the moan of a leaf-laden wind, "I am 
afraid to be in.  I have one of Will Morrow's stories in my pocket and 
I don't dare to go where there is light enough to read it." 
  Rear-Admiral Schley and Representative Charles F. Joy were 
standing near the Peace Monument, in Washington, discussing the 
question, Is success a failure?  Mr. Joy suddenly broke off in the 
middle of an eloquent sentence, exclaiming:  "Hello!  I've heard that 
band before.  Santlemann's, I think." 
  "I don't hear any band," said Schley. 
  "Come to think, I don't either," said Joy; "but I see General 
Miles coming down the avenue, and that pageant always affects me in 
the same way as a brass band.  One has to scrutinize one's impressions 
pretty closely, or one will mistake their origin." 
  While the Admiral was digesting this hasty meal of philosophy 
General Miles passed in review, a spectacle of impressive dignity. 
When the tail of the seeming procession had passed and the two 
observers had recovered from the transient blindness caused by its 
effulgence -- 
  "He seems to be enjoying himself," said the Admiral. 
  "There is nothing," assented Joy, thoughtfully, "that he enjoys 
one-half so well." 
 
  The illustrious statesman, Champ Clark, once lived about a mile 
from the village of Jebigue, in Missouri.  One day he rode into town 
on a favorite mule, and, hitching the beast on the sunny side of a 
street, in front of a saloon, he went inside in his character of 
teetotaler, to apprise the barkeeper that wine is a mocker.  It was a 
dreadfully hot day.  Pretty soon a neighbor came in and seeing Clark, 
said: 
  "Champ, it is not right to leave that mule out there in the sun. 
He'll roast, sure! -- he was smoking as I passed him." 
  "O, he's all right," said Clark, lightly; "he's an inveterate 
smoker." 
  The neighbor took a lemonade, but shook his head and repeated that 
it was not right. 
  He was a conspirator.  There had been a fire the night before:  a 
stable just around the corner had burned and a number of horses had 
put on their immortality, among them a young colt, which was roasted 
to a rich nut-brown.  Some of the boys had turned Mr. Clark's mule 
loose and substituted the mortal part of the colt.  Presently another 
man entered the saloon. 
  "For mercy's sake!" he said, taking it with sugar, "do remove that 
mule, barkeeper:  it smells." 
  "Yes," interposed Clark, "that animal has the best nose in 
Missouri.  But if he doesn't mind, you shouldn't." 
  In the course of human events Mr. Clark went out, and there, 
apparently, lay the incinerated and shrunken remains of his charger. 
The boys did not have any fun out of Mr. Clarke, who looked at the 
body and, with the non-committal expression to which he owes so much 
of his political preferment, went away.  But walking home late that 
night he saw his mule standing silent and solemn by the wayside in the 
misty moonlight.  Mentioning the name of Helen Blazes with uncommon 
emphasis, Mr. Clark took the back track as hard as ever he could hook 
it, and passed the night in town. 
 
  General H.H. Wotherspoon, president of the Army War College, has a 
pet rib-nosed baboon, an animal of uncommon intelligence but 
imperfectly beautiful.  Returning to his apartment one evening, the 
General was surprised and pained to find Adam (for so the creature is 
named, the general being a Darwinian) sitting up for him and wearing 
his master's best uniform coat, epaulettes and all. 
  "You confounded remote ancestor!" thundered the great strategist, 
"what do you mean by being out of bed after naps? -- and with my coat 
on!" 
  Adam rose and with a reproachful look got down on all fours in the 
manner of his kind and, scuffling across the room to a table, returned 
with a visiting-card:  General Barry had called and, judging by an 
empty champagne bottle and several cigar-stumps, had been hospitably 
entertained while waiting.  The general apologized to his faithful 
progenitor and retired.  The next day he met General Barry, who said: 
  "Spoon, old man, when leaving you last evening I forgot to ask you 
about those excellent cigars.  Where did you get them?" 
  General Wotherspoon did not deign to reply, but walked away. 
  "Pardon me, please," said Barry, moving after him; "I was joking 
of course.  Why, I knew it was not you before I had been in the room 
fifteen minutes." 
 
		    		 - 1811 Dictionary of the Vulgar Tongue 
		    		 
		    			    		
		    		-  An account of real or fictional events.
 
     The website tells the story of two roommates. 
 -  A lie.
 
     You've been telling stories again, haven't you? 
 -  (US): A floor or level of a building.
 
 
  
		    		 - The Nuttall Encyclopedia 
		    		 
		    		    			
	    			 
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